Notes
- ↑ "Notes to Johann Stamitz Symphonies Vol. 1 on Naxos" . Retrieved 19 September 2009.
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The Symphony in A major ("Mannheim No. 2") is a symphony by Johann Stamitz in the style of the Mannheim school, probably written sometime from 1741 to 1746. [1] It might be Stamitz' first symphony. It consists of three movements:
It is about 11 minutes long.
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Carl Philipp Stamitz was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School.
Stamitz was the surname of a family of German Bohemian musicians, the principal members of which were:
Mannheim school refers to both the orchestral techniques pioneered by the court orchestra of the Elector Palatine in Mannheim in the latter half of the 18th century and the group of composers of the early classical period, who composed for the orchestra of Mannheim. The father of the school is considered to be the Bohemian composer Johann Stamitz. Besides him, two generations of composers wrote compositions for the orchestra, whose reputation was due to its excellent discipline and the individual skill of its players; the English traveler Charles Burney called it "an army of generals". Their performance style included new dynamic elements, crescendos and diminuendos. Composers of the Mannheim school played an important role in the development of the classical period's genres and of the classical symphony form.
Johann Wenzel Anton Stamitz was a Bohemian composer and violinist. His two surviving sons, Carl and Anton Stamitz, were composers of the Mannheim school, of which Johann is considered the founding father. His music is stylistically transitional between Baroque and Classical periods.
Johann Christian Innocenz Bonaventura Cannabich, was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.
Ignaz Jakob Holzbauer was an Austrian composer of symphonies, concertos, operas, and chamber music, and a member of the Mannheim school. His aesthetic style is in line with that of the Sturm und Drang "movement" of German art and literature.
Anton Fils, 22 September 1733 (baptized) – 14 March 1760 (buried) was a German classical composer.
Franz Ignaz Beck was a German violinist, composer, conductor and music teacher who spent the greater part of his life in France, where he became director of the Grand Théâtre de Bordeaux. Possibly the most talented pupil of Johann Stamitz, Beck is an important representative of the second generation of the so-called Mannheim school. His fame rests on his 24 symphonies that are among the most original and striking of the pre-Classical period. He was one of the first composers to introduce the regular use of wind instruments in slow movements and put an increasing emphasis on thematic development. His taut, dramatic style is also remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing.
The Symphony in D major, Op. 3, No. 2 is a symphony by Johann Stamitz, written in the style of the Mannheim school sometime from 1750 to 1754. The symphony was published as No. 4 in a 1769 publication of six symphonies by Stamitz. It consists of four movements:
The Symphony in G major is a symphony in the style of the Mannheim school, attributed to Johann Stamitz, but probably by Antoine Mahaut, a close contemporary of the composer. It was probably written from 1741 to 1746, and if it is by Stamitz, it could be his first. But if it is by Mahaut, it probably is his first. It consists of three movements:
The Symphony in B-flat major is a symphony by Johann Stamitz, written in the style of the Mannheim school sometime from 1741 to 1746. It might be Stamitz' first symphony. It consists of three movements:
The Symphony in E-flat major, Op. 11, No. 3 is a late symphony by Johann Stamitz, likely written in Paris in 1754 or 1755. It was published as No. 6 in a 1769 publication of six symphonies by Stamitz. This is one of his last symphonies and is in the standard four-movement symphonic scheme of the time:
Ignaz Fränzl was a German violinist, composer and representative of the second generation of the so-called Mannheim School. Mozart, who heard him at a concert in November 1777, wrote of him in a letter to his father: He may not be a sorcerer, but he is a very solid violinist indeed. Fränzl carried the Mannheim violin technique, established by Johann Stamitz, one step further to real virtuosity. Mozart, quite a good violinist himself and thoroughly acquainted with the instrument, praised Fränzl's double trill and said he had never heard a better one.
František Xaver Pokorný was a Czech classical period composer and violinist.
The Symphony in F major "No. 56", K. 98/Anh.C 11.04, was once thought to have been written by Wolfgang Amadeus Mozart, but today is regarded as spurious. As of 2009, it is the only one of Mozart's symphonies published in the Alte Mozart-Ausgabe that has never been recorded. It is not included in the Neue Mozart-Ausgabe.
Johann Baptist Wendling was a flute player and composer of the Mannheim School. He held the position of principal flute in the Mannheim and Munich court orchestras under directors Johann Stamitz and Christian Cannabich, and was acknowledged as one of the finest virtuosos of his time.
The Mannheim Rocket is a short orchestral composition by the American composer John Corigliano. The work was commissioned by the Mannheim Orchestra, which first performed the work on March 26, 2001. The piece is dedicated to Susan Carlyle.